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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1990
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93
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apr_jun
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04199930.000
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1994-02-27
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<text>
<title>
(Apr. 19, 1993) Putting Justice In The Dock
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Apr. 19, 1993 Los Angeles
</history>
<article>
<source>Time Magazine</source>
<hdr>
LOS ANGELES, Page 32
Putting Justice In The Dock
</hdr>
<body>
<p>With more at stake than a courtroom verdict, both sides in the
Rodney King trial made stronger cases
</p>
<p>By WILLIAM A. HENRY III--With reporting by James Willwerth/Los
Angeles
</p>
<p> The first time police officers went on trial for beating
Rodney King, Los Angeles looked at itself in the mirror and saw
Caliban. Not everyone recognized the same monster. Some saw
racist authority and biased justice. Some saw a lawless citizen
and mob madness. But for almost everyone, inside and outside the
smoking city, the trial became a symbolic test of national
values--something that trials, with their focus on factual
specifics and winner-take-all outcomes, are not constructed to
be. The acquittals were so shocking to a nation mesmerized by
a videotape, and so achingly rejected in riot and rage, that it
was inevitable the case would somehow be tried again. This time,
with the jurisdiction federal rather than local and the charges
focused on civil rights, the burden on participants is greater.
The result will be momentous, but the nation is really watching
for what comes after. As defense attorney Ira Saltzman
challenged jurors last week in a closing statement, "Your
verdict might result in some...something. Can you withstand
that pressure?"
</p>
<p> If the judgment this time is harsher for the police, there
will be some suspicion that it represents expediency and fear
of another riot rather than fair weighing of the evidence.
Maybe so. But guilty verdicts would also reflect the fact that
this prosecution, led by Assistant U.S. Attorney Steven Clymer,
did a better job. It relied less on the celebrated videotape,
which the defense at the first trial dismissed as a partial
record, and more on live testimony--from weeping or infuriated
police who rejected clubbing and kicking as unnecessary and
wrong, from seasoned medical experts who debunked the
defendants' blow-by-blow account, above all from previously
unheard civilian eyewitnesses, including the victim himself.
</p>
<p> The defense, too, was probably better this time. For one
thing, it presented a united front. In the first trial, Officer
Theodore Briseno testified that his fellow officers were "out
of control." This time he and two other defendants opted
military style to leave the talking to the senior officer,
Sergeant Stacey Koon--although a tape of Briseno's testimony
was shown over vociferous objections from the defense.
</p>
<p> Far from pleading for understanding, Koon insisted his
explicit intention had been to "break bones" to get King to
submit: "The intent I had was to cripple him, to make him unable
to push off the ground. You can't push off the ground if your
elbows are broken. You can't push off the ground if your knees
are broken." Any taint of sadism was probably reinforced by
testimony that another of the accused, Laurence Powell, left the
battered King in the back of a patrol car for nearly an hour
while swapping "war stories" with colleagues before taking him
to a hospital.
</p>
<p> Koon's roughhewn rhetoric reminded some onlookers of the
unyielding officer played by Jack Nicholson in A Few Good Men
and seemed likely to polarize jurors the way that character
polarized movie goers. But the defense does not need to win
acquittal; it is almost as effective to persuade enough to hang
a jury. Outside the courtroom, Koon and Powell boasted of having
won at least one female admirer on the jury. Many observers
predicted a split verdict--a slap at most for Briseno and
Timothy Wind, something sterner for Koon and especially Powell,
who struck the most blows. Powell's attorney Michael Stone
tacitly acknowledged this scenario in a closing statement
pleading that his client not be made a scapegoat.
</p>
<p> Legally, the case centers on three questions. Did officers
hit King in the head while he was standing up? By itself that
is illegal "deadly force" unless King imperiled officers'
lives. The preponderance of evidence says they did, but the
videotape is inconclusive and witnesses differ. Did the police
use too much force when King was on the ground? That depends on
whether he was "aggressive" and "combative." Third, did the
officers intend to violate King's civil rights? That depends on
whether they knowingly broke department policy. This point,
which the earlier prosecution did not have to address, makes
conviction tougher to reach.
</p>
<p> Where the suburban Simi Valley jury in the first trial
heard prosecutors harp on the videotape, this team meticulously
countered defense evidence. On whether King's facial wounds came
from police batons, Koon testified, "Mr. King fell like a tree.
He made a one-point landing on his face." Dr. Harry Smith of
San Antonio, Texas, a leading expert witness, asserted this
scenario was impossible. The bones beneath King's right eye were
crushed to powder, which required a pressure equivalent to 350
lbs., while his nose, which would have been broken by pressure
of about 50 lbs., remained intact. Such uneven damage could not
come from a flat surface like a parking lot, said Smith, only
from something selective, like a baton.
</p>
<p> Against defense witness Sergeant Charles Duke, who asserts
that the beating was within department guidelines and that
there were no "head shots," the first pros ecution answered
with a career desk officer. This time Duke was rebutted by
witnesses with street wisdom: the police academy's trainer in
the use of force, Sergeant Mark Conta, and a California Highway
Patrol member who saw King beaten, Melanie Singer. Conta said,
"We never teach to break bones. I see excessive force here. The
picture I see is that of a beaten man who is not combative or
aggressive." He faulted each defendant: Koon for failing to
intervene, Wind for six "brutal kicks," Briseno for stomping on
King's neck, and Powell for a fusillade of chest blows that he
termed "the most flagrant violation."
</p>
<p> Singer, called by the defense, turned into a booby trap
under cross-examination. She saw King hit on the head six times
and broke into tears remembering it: "There was blood dripping
literally from his mouth, and there was a pool of blood beneath
his chin." She described officers on the scene as "standing
around" and "joking." She also faulted the claim that King was
dangerous because he was apparently high on the drug PCP, saying
he showed none of the signs, such as profuse sweating and a
trancelike stare.
</p>
<p> Two Hispanic musicians who were not called at the first
trial said King never attacked police and seemed to submit
before being beaten. Dorothy Gibson, a black woman who lives
across the street from the beating site, said, "He didn't do
anything. He was just dodging blows."
</p>
<p> By far the most significant new witness was King. From the
beginning he has found himself in a position akin to that of a
rape victim. There is no question, beyond niggling over details,
about what was done to him. The issue is whether he, by his
character and behavior, somehow invited and justified the abuse.
Although he is not on trial--his assailants are--the core
question is if he was scary or erratic enough to legitimize
almost any level of force. At the first trial, prosecutors chose
not to put him on the stand. He is a high school dropout. He has
a criminal record. He was drinking that night. His memory is
hazy, whether because of alcohol or injury. He has changed his
story more than once. And he is a large black man in a nation
often frightened of black men.
</p>
<p> Yet many observers felt he provided this trial's most
compelling moments. Rather than experience him only as a silent
presence or a moving shadow on videotape, jurors could see the
fateful night through his eyes. He described lying on the ground
waiting to be handcuffed, only to be shocked by Koon with a stun
gun. He recalled running toward his car, throwing his hands
over his face. He said, in complete accord with the evidence,
"I wasn't trying to hit any police officer." Said Denver trial
lawyer Dan Caplis, a consultant on the case for NBC News: "The
whole defense is based on King as a PCP-crazed monster. His
appearance undermined that. He showed no hint of anger; he
appeared a very sincere, passive person."
</p>
<p> The jurors, eight men and four women, are volunteers. A
mailing to 6,000 residents netted about 300 willing to face the
pressure and the prospect of being sequestered for a couple of
months. The one black woman placed her child with relatives for
the duration. The one black man would have been dismissed by
defense lawyers. To their astonishment, Judge John Davies
blocked them, citing a 1991 U.S. Supreme Court ruling that
prohibits exclusion based on race. One juror is Hispanic and the
other nine are white, in a city where the population is more
than 60% minority. Defense attorney Saltzman insists, "This case
has never been about race." In the law, that may be so. In the
eyes of the world, as in the eyes of Rodney King and perhaps of
his assailants that sad night, race has been at the center of
the case--nettlesomely reminding us that freedom and justice
are not settled conditions but eternal debates.
</p>
</body>
</article>
</text>